Artist Profile Sayako Hiroi

Sayako Hiroi, The Yonder, 2024, Acrylic on canvas, 60″ x 48″ (1524 mm x 1219 mm).
Hiroi’s fervent, audacious strokes subvert cultural gender binaries.
Artist Statement
My work delves into the intricate relationships between the East and the West, exploring hidden gender dynamics across these dual realms. Informed by feminist and anti-Orientalist perspectives, I systematically dismantle prevailing images to reconstruct them, subverting deeply ingrained narratives and learned beliefs that span both American and Japanese cultures. My paintings navigate the delicate boundaries between figuration and abstraction, pulling from both traditional Japanese imagery and direct references to my own body. My gestural mark-making reflects the underlying chaos of modern Japan, commenting on the double-edged romanticization of the female body across Eastern and Western cultures. The messiness of paint—combined with undulating lines that are simultaneously rhythmic, tense, and loosely flowing—obscures binary representations of women over the past 500 years. Through deconstructing the female body, I seek to liberate Japanese women from social and cultural strangleholds, a process that memorializes the present moment while burying the past to open up new conversations for our collective future.
Artist Biography
Sayako Hiroi is a Japanese-born visual artist based in the United States. Her practice explores the shifting boundaries between identity, culture, and history, often navigating the tensions between Eastern and Western perspectives through abstract figuration and layered mark-making. She earned her MFA from the School of the Museum of Fine Arts at Tufts University.
Her work has been shown in solo and group exhibitions internationally, including Gallery TK2 (Tokyo), Mission Hill Gallery (Boston), Culture Lab LIC (New York), and 3331 ART CHIYODA (Tokyo). Hiroi has received fellowships and awards from institutions such as Ox-Bow School of Art, The Art School Alliance (Hamburg), and Tufts University. She was a finalist in the Miami University Young Painter Competition, juried by Lauren Haynes.
Through painting, Hiroi deconstructs historical imagery—particularly Ukiyo-e—to challenge gendered and cultural stereotypes, reclaiming visual narratives through feminist and decolonial lenses. Her work has been featured in publications like The Boston Globe and Tufts Now.