Artist Profile Patrick Mung Mung

Patrick Mung Mung, Yunurr (Spring Creek), 2025, Traditional ochre on canvas, 47.2″ x 47.2″ x 1.2″ (1200 mm x 1200 mm x 30 mm).
Mung Mung’s radiant, ochre-built landscapes honor the enduring importance of home.
Artist Statement
This powerful work by Patrick Mung Mung depicts Yunurr; his birthplace and daam (home), also known as Spring Creek. Located across the Ord River from Texas Downs Station, this is yawalyawal (black soil) country, rich with memory, story, and spirit. The land here transforms with the seasons becoming thick and boggy when wet, and marked by large black stones known as jewidirrin.
“Yunurr is where I was born. That’s my daam. When I was little, they carried me from there across the river to Texas Downs Station. That’s where I grew up, but I’d come back across the river to visit my people; Spring Creek mob.” (Patrick Mung Mung)
Mung Mung’s painting captures more than the geography, it brings the living presence of Country to the canvas. The cry of marrmugji (chicken hawks) is a warning across this land, alerting animals and fish to hide from hunters. Yunurr also holds deep cultural significance, with a funeral site anchoring memory in place. At the top of the painting, he includes Bells Creek Country, which borders Spring Creek Country. This work is both a map of place and a map of life; bearing witness to ancestral knowledge, lived experience, and the sacred rhythm of Gija Country.
Artist Biography
Patrick Mung Mung is a Senior Gija Elder, respected Lawman, and cultural pillar whose presence resonates across generations. Born in 1948 at Spring Creek, he is the last man of his generation; a living archive of Gija Law, language, and land. His early years as a legendary stockman, riding and walking the vast expanse of Gija Country from Jarlooloo River to Frog Hollow and Texas Downs, grounded him in an intimate, spiritual connection to Country that shapes every aspect of his art.
Patrick paints with ochres sourced from the land he knows by heart. His work carries the power of ancestral stories, sacred places, and the enduring spirit of his people. Following the death of his father, renowned artist George Mung Mung, Patrick stepped into his cultural role with strength ensuring the legacy of Mary of Warmun stood proudly in the High Court of Australia.
In 1998, he co-founded the Warmun Art Centre, igniting a movement that continues to empower Gija artists. A tireless custodian, he has also kept the Gurirr Gurirr dance alive, sharing its sacred rhythms across the nation and the world.
Patrick Mung Mung is more than an artist; he is a truth-teller, knowledge-keeper, and guide. His legacy is Country, culture, and continuity.